Murder on the Orient Express Review

Murder on the Orient Express by Agatha Christie was fabulous and fun. I must say it was a quick read but well written and thought out book. I am proud to say that I had a good idea of how the murder happened, but I wish I was more bold in my guessing. As always Christie's characters were full of secrets but were visible to the trained eye.

War of the Worlds Review

War of the Worlds by HG Wells was not as exciting as I had hoped. The whole story was written to show that aliens would die on our planet if not prepared for our bacteria and environment. It irritated me that HG Wells made the aliens so stupid. They only land in one tiny spot in England and are randomly killing humans. I wish that Wells placed the reader in the minds of the aliens so we would know their point of view. The main character was quite boring as well. Granted, I am sure I would end up doing the same things as he did, but it was irksome to follow a useless character. I simply did not enjoy this book at all.

Suggested Reading from Reading Lolita in Tehran



At the end of Reading Lolita in Tehran, there is a list (yea!) of suggested reading. As always, I read the italicized books.
    

    Baghdad Diaries by Nuha al-Radi
    The Blind Assassin by Margaret Atwood
    Emma, Mansfield Park, and Pride and Prejudice by Jane Austen
    The Dean's December and More Die of Heartbreak by Saul Bellow
    Wuthering Heights by Emily Brontë
    Alice's Adventures in Wonderland by Lewis Carroll
    Under Western Eyes by Joseph Conrad
    Shamela and Tom Jones by Henry Fielding
    The Great Gatsby by F. Scott Fitzgerald
    Madame Bovary by Gustave Flaubert
    The Diary of Anne Frank by Anne Frank
    The Ambassadors, Daisy Miller, and Washington Square by Henry James
    In the Penal Colony and The Trial by Franz Kafka
    The Confidence Man by Herman Melville
    Lolita, Invitation to a Beheading, and Pnin by Vladimir Nabokov
    The Country of the Pointed Firs by Sarah Orne Jewett
    My Uncle Napoleon by Iraj Pezeshkzad
    The Language Police by Diane Ravitch
    The Net of Dreams by Julie Salamon
    Persepolis by Marjane Satrapi
    A Thousand and One Nights by Scheherazade
    The Emigrants by W.G. Sebald
    The Stone Diaries by Carol Shields
    The Engineer of Human Souls by Josef Skvorecky
    Loitering with Intent and The Prime of Miss Jean Brodie by Muriel Spark
    Confessions of Zeno by Italo Svevo
    Address Unknown by Katherine Kressman Taylor
    A Summons to Memphis by Peter Taylor
    The Adventures of Huckleberry Finn by Mark Twain
    Back When We Were Grownups and St. Maybe by Anne Tyler
    Aunt Julia and the Scriptwriter by Mario Vargas Llosa

Hero

He is a hero because he refuses to become like all the rest.

Reading Lolita in Tehran: A Memoir in Books by Azar Nafsi

Breathe

A novel is not an allegory, I said as the period was about to come to an end. It is the sensual experience of another world. If you don't enter the world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing.

Reading Lolita in Tehran: A Memoir in Books by Azar Nafsi

Monster

"Whoever fights monsters," Nietzsche had said, "should see to it that in the process he does not become a monster. And when you look long into an abyss, the abyss also looks into you."

Reading Lolita in Tehran: A Memoir in Books by Azar Nafsi

Secret

Upsilamba become part of our increasing repository of coded words and expressions, a repository that grew over time until gradually we had created a secret language of our own. That word became a symbol, a sign of that vague sense of joy, the tingle in the spine Nabokov expected his reader to feel in the art of reading fiction; it was a sensation that separated the good readers, as he called them, from the ordinary ones. It also became the code word that opened the secret cave of remembrance.

Reading Lolita in Tehran: A Memoir in Books by Azar Nafsi

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